Wohlgemuth unit - translation to ρωσικά
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Wohlgemuth unit - translation to ρωσικά

GERMAN PAINTER AND PRINTMAKER (1434–1519)
Wolgemut; Michel Wohlgemuth; Michael Wohlgemuth; Michele Volgemut; Wolgemut, Michael
  • Portrait of Ursula Tucher, 1478
  • Danse Macabre]],'' 1493

Wohlgemuth unit      

медицина

единица Вольгемута (для оценки активности амилазы в биологических жидкостях)

geological unit         
VOLUME OF ROCK DEFINED BY ITS PETROGRAPHIC, LITHOLOGIC OR PALEONTOLOGIC FEATURES
Supergroup (geology); Member (geology); Geologic group; Geologic unit; Rock unit; Stratigraphic units; Geological unit; Member (stratigraphy); Unit (geology); Supergroup (stratigraphy)

нефтегазовая промышленность

пачка горных пород

stratigraphic unit         
VOLUME OF ROCK DEFINED BY ITS PETROGRAPHIC, LITHOLOGIC OR PALEONTOLOGIC FEATURES
Supergroup (geology); Member (geology); Geologic group; Geologic unit; Rock unit; Stratigraphic units; Geological unit; Member (stratigraphy); Unit (geology); Supergroup (stratigraphy)

нефтегазовая промышленность

стратиграфическая единица

Ορισμός

ЭКЮ
I
нескл., м. и с.
Старинная фрацузская золотая или серебряная монета, чеканившаяся в 13-18 вв. Один, одно э.
II
нескл., м. и с.
Валютная счетная единица, используемая странами - членами Европейской валютной системы.

Βικιπαίδεια

Michael Wolgemut

Michael Wolgemut (formerly spelt Wohlgemuth; 1434 – 30 November 1519) was a German painter and printmaker, who ran a workshop in Nuremberg. He is best known as having taught the young Albrecht Dürer.

The importance of Wolgemut as an artist rests not only on his own individual works, but also on the fact that he was the head of a large workshop, in which many different branches of the fine arts were carried on by a great number of pupil-assistants, including Albrecht Dürer, who completed an apprenticeship with him between 1486 and 1489. In his atelier large altar-pieces and other sacred paintings were executed, and also elaborate carved painted wood retables, consisting of crowded subjects in high relief, richly decorated with gold and colour.

Wolgemut was a leader among the artists reviving the standards of German woodcut at this time. The production of woodcuts was a large part of the work of the workshop, the blocks being cut from Wolgemut's designs. They were mostly made to supply the many publishers in Nuremberg with book illustrations, with the most attractive also being sold separately. Wolgemut's woodcuts followed the advances in engraving, depicting volume and shading to a much greater extent than before. Many are remarkable for their vigour and clever adaptation to the special necessities of the technique of woodcut. Nonetheless, they were very often hand-coloured before or after sale. His pupil Dürer was to build on and to so surpass his achievement that it is often overlooked.

Wolgemut's paintings show Flemish influence, and he may have traveled within Flanders (modern Belgium and surrounding areas).

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